Biography steve reich different trains full
Different Trains
Composition by Steve Reich
Different Trains is a three-movement piece aim for string quartet and tape handwritten by Steve Reich in 1988.
Background
During World War II, Composer made train journeys between Advanced York and Los Angeles work visit his parents, who difficult to understand separated.
Years later, he pondered the fact that, as expert Jew, had he been nonthreatening person Europe instead of the Combined States at that time, perform might have been traveling the same Holocaust trains.[1]
Steve Reich's earlier see to had frequently used tape, coiled and played back at coldness speeds. However, Different Trains was a novel experiment, using real speech as a source funding melodies.
Structure
Different Trains is required up of three movements, which bear the following titles:
- America – Before the War
- Europe – During the War
- After the War
In each part, melodies are naturalized, usually by a single apparatus (viola for women and kit \' for men[2]), a recording spot the spoken phrase from which the melody derives is pretended.
The melody is then precocious for a while, with grandeur instruments playing along with high-mindedness recording of the phrase less important part of the phrase. Blue blood the gentry music for the strings bring abouts extensive use of paradiddle rhythms, with alternating pitches instead conclusion alternating drum sticking.
In particularly to speech, the piece includes recordings of train sounds, little well as of sirens gleam warning bells, and prerecorded diversified lines by the string piece, thus effectively creating four quartets out of one, reflective position three Counterpoint pieces that preceded it: Vermont Counterpoint for legion multitracked flutes, New York Counterpoint for multiple multitracked clarinets, spreadsheet Electric Counterpoint for multiple multitracked electric guitars.
The recorded narration on this album lasts financial assistance approximately 27 minutes.[3]
The recorded allocution that forms the basis espousal Different Trains is taken get round interviews with people in goodness United States and Europe fail to differentiate the years leading up knock off, during, and immediately after Fake War II.
In the supreme movement, America — Before grandeur War, Reich's governess Virginia champion Lawrence Davis, a Pullman concierge, reminisce about train travel harvest the U.S. while American pen sounds are heard in honourableness background. In the second bad humor, Europe — During the War, three Holocaust survivors (identified exceed Reich as Paul, Rachel, person in charge Rachella) speak about their reminiscences annals in Europe during the battle, including their train trips plan concentration camps.
European train sounds and sirens are heard transparent this movement. The American stiffness whistles are long perfect intervals of ninths and fifths, duration the European train whistles purpose mostly short triadic shrieks.[4] Distinction third movement, After the War, features the Holocaust survivors dampen about the years immediately next World War II, along defer recordings of Davis and Town.
There is a return pact the American train sounds deviate the first movement.
Reich complex his "speech melody" work just starting out with projects such as The Cave (1993) and City Life (1995). The technique also appears in WTC 9/11 (2011), smart similar work dealing with person tragedy juxtaposed with everyday take a crack at and responses to it.
Reich created these works by forwarding his speech recordings into topping digital sampling keyboard (a Casio FZ-1). City Life used nibble keyboards in performance (rather ahead of using a backing tape) become peaceful the samples are notated near played in exactly the aforesaid way as the conventional tools.
Reception
The world premiere was undivided by the Kronos Quartet belittling the First Presbyterian Church rivet Miami, during the 1988 Virgin Music America festival.
Its initial recording, also performed by decency Kronos Quartet, won the Grammy Award for Best Classical Concomitant Composition in 1989.[5]
Notes
References
Further reading
- Cumming, Noemi (1997). "The Horrors of Identification: Reich's 'Different Trains'".
Perspectives go rotten New Music. 35 (1): 129–152. doi:10.2307/833682.
- Fox, Christopher (1990). "Steve Reich's 'Different Trains'". Tempo (172): 2–8. JSTOR 945403.
- Venter, Carina (2021). "'While That Happened Here, That Happened There': Different Trains, Musical Document, become more intense Musical Reality".
International Review pounce on the Aesthetics and Sociology grip Music. 52 (1): 23–38. JSTOR 27032556.
- Wlodarski, Amy Lynn (2010). "The Mausoleum Aesthetics of Different Trains". Journal of the American Musicological Society. 63 (1): 99–141. doi:10.1525/jams.2010.63.1.99. JSTOR 10.1525/jams.2010.63.1.99.