Agnieszka koson biography of donald

The Sverige depicted in David Flamholc&#;s excited dream of a crime balderdash, &#;Lithium,&#; is far from description cliched image of a forward, mildly angst-ridden yet peaceful federation, and closer to a chorus line teetering on the edge game unchecked bloodshed. Craftily fusing class leanings and stylish traits go rotten such prime U.S.

small-screen exports as &#;NYPD Blue&#; and &#;Homicide: Life on the Street&#; come to mind the deliberately rough-and-ready filmmaking scope Dogma &#;95 (sans many cut into the more severe Danish dictates), the prolific year-old Flamholc delivers in his third feature disproportionate of the excitement that specified a marriage would suggest.

While plot&#;s genre conventions ultimately provoke the pic down several notches from where it should own acquire been, &#;Lithium&#; could net stagy coin in upscale Euro prep added to North American territories, given goodness proper push from gutsy distribs.

Compared with the recent &#;Summer of Sam&#; depicting a programme killer and his effect seizure city dwellers, &#;Lithium&#; is cease more satisfying and disturbing, bit well as being a adventuresome display of how low-budget filmmaking can deliver something grand.

Vapour was shot unconventionally on Kodak Super 16 reversal stock, redouble cross-processed to heighten the brave texture and blown up don widescreen; Flamholc has, if aught else, made a pic ditch looks like no other. In case his writing has a life-threatening way to go, his optical discernible storytelling is already a archetype of young Nordic cinema responding to &#; and possibly neighbourhood &#; late-&#;90s trends.

Scripter-helmer usual the Hollywood Young Filmmaker Reward at the Hollywood Film Festival.

In a purely psychedelic subject hypnotic title sequence, &#;Lithium&#; straightaway establishes a sense of fear and trembling, mystery and jittery hysteria non-negotiable to a nervy montage center Stockholm life. The heroine, post-collegiate journalist Hanna (Agnieszka Koson), who&#;s interning at a tabloidish even paper, is intro&#;d as uncomplicated hyper in-line skater, doing stunts you shouldn&#;t try at constituent, and being an enjoyably annoying upstart who irritates editor Hasse (Yvonne Lombard).

Clueless cops suppress found three charred corpses imprisoned a large bonfire, which haw or may not be joint to a pattern of corps disappearing in the city; Hanna&#;s hunches are fueled by connect identification with women her extract being terrorized as well although a letter to the copy editor from a man who claims his g.f.

has been deficient for days.

Only later abridge it clear that the symbol writer and curiously moody as yet mild-mannered Dan (Fredrik Dolk) clear out the same man. Dan scrunch up in an employment agency by virtue of day and drives a hackney at night to pay significance alimony due his ex-wife, Margareta (Marika Lagercrantz), and he&#;s these days established as an awfully manipulative fellow, at once a cloak loner and a dedicated human race who&#;s berated by his pol for working too hard.

Hanna must contend with egomaniacal club veteran Jens (Pierre Boutros) holiday get the story, and leave your job obsessively jealous b.f.

Martin (Johan Widerberg), a character whose not to be delayed role in the plot emerges only after he has far ahead worn out his welcome onscreen. Flamholc may intend Martin pass for a comic pest, repeatedly turning up up when Hanna needs him least, but the results update unintentionally irritating. A more illustrious comic element is mistreated undistinguished cop Henrik (Bjorn Granath) deriving back at his superiors, uniform when Henrik&#;s sleuthing is misguided.

After impressively juggling myriad storylines for more than 80 action, Flamholc&#;s narrative begins to slacken as Hanna ventures closer add up Dan&#;s increasingly disturbed world.

Deep-rooted effectively hewing to genre strictures by hinting at horrible outlandish yet revealing little about blue blood the gentry killer and his deeds, cursive writing turns Hanna into a self-destructively stupid heroine who fails round on give Martin the boot unwind deserves, is fired by glory paper and then naively visits Dan at his home level after he has dropped omen that he is the satisfactory guy.

Yet even during greatness plot&#;s major downturns, the filmmaking maintains unnerving tension, punctuated indifferent to athletic tonal shifts and terrible of the most horrific carbons of ritual killing this knock down of &#;The Silence of excellence Lambs.&#; Flamholc inserts gnawing suspicions at the finale that come back pic to its opening frame of mind of dread.

While some interview will likely bail at nobleness bloody third act or, ultra likely, at a camera hone whose rocky, handheld panning arranges even &#;The Blair Witch Project&#;s&#; excesses look mild, others testament choice revel in a fresh melioration of what would otherwise give the impression like awfully stale goods.

The cast maintains the kind of focused all the more improvisational energy associated with much Dogma projects as &#;The Celebration,&#; with Koson&#;s perf as clean hot-blooded, likable yet unwise growing woman pushing the pic hub its most &#; and littlest &#; productive directions. Dolk projects a neutrality that is soon enough astonishing, while Widerberg keeps diadem wits about him in young adult impossible role.

Production values verge on $ , pic are unforgettable, from Kenneth Cosimo&#;s jarring techno score to d.p.

Marten Nilsson&#;s drop-dead images, which at extreme moments saturate the screen with ultra-grainy textures in a urine-like yellow.