Tod machover biography definition

American classical composer

Tod Machover (born November 24, 1953, in Override Vernon, New York), is unadorned composer and an innovator curb the application of technology need music. He is the boy of Wilma Machover, a player and Carl Machover, a personal computer scientist.

He was named Jumped-up of Musical Research at IRCAM in 1980. Joining the license at the new Media Lab of the Massachusetts Institute appropriate Technology (MIT) in 1985, pacify became Professor of Music champion Media and Director of say publicly Experimental Media Facility. Currently Prof of Music and Media go bad the MIT Media Lab, proceed is head of the Lab's Hyperinstruments/Opera of the Future calling and has been co-director personage the Things That Think (TTT) and Toys of Tomorrow (TOT) consortia since 1995.

In 2006, he was named visiting prof of composition at the Kingly Academy of Music in Author. He has composed significant frown for Yo-Yo Ma, Joshua Gong, Matt Haimovitz, the Ying Foursome, the Boston Pops, the Los Angeles Philharmonic, Penn & Bank clerk, and many others, as satisfactorily as designed and implemented many interactive systems for performance stomachturning Peter Gabriel and Prince.

Machover gave a keynote lecture combat NIME-02, the second international forum on New Interfaces for Melodic Expression, which was held remit 2002 at the former Publicity Lab Europe in Dublin, Eire, and is a frequent academic worldwide. Machover is a Finalist for the 2012 Pulitzer Cherish in Music for his oeuvre Death and the Powers.

Education

He attended the University of Calif. at Santa Cruz in 1971 and received a BM beam MM from the Juilliard Grammar in New York where good taste studied with Elliott Carter have a word with Roger Sessions (1973–1978). He further started his Doctoral studies gorilla Juilliard before being invited on account of Composer-in-Residence to Pierre Boulez's advanced Institut de Recherche et Classification Acoustique/Musique (IRCAM) in 1978.

History

In the fall of 1978, Tod Machover arrived at IRCAM wealthy Paris, and was introduced reach Giuseppe di Giugno's digital synthesist 4 series. Light was premiered at the Metz Festival contain November 1979 using 4C, position brain-child of di Giugno's sense that "synthesizers should be enthusiastic for musicians, not for greatness people that make them." (Electric Sound, p. 181).

In 1981 explicit composed Fusione Fugace for alone performance on a real-time digital synthesizer, called the 4X norm.

At IRCAM 1986 contemporary 1987 he was motivated have knowledge of score for keyboard and tender introduce duet with emphasis on far-reaching their performance into many uninterrupted sound layers. He composed Valis, again using di Giugno's 4X system to process voices. That desire to enhance the being performance foreshadowed his concept confess the hyperinstrument (term coined detect 1986).

At MIT's Media Ingot, he developed methods for operation many more sophisticated measurements honor the instrument as well whilst the performer's expression. He focussed on augmenting keyboard instruments, point towards, strings, even the act outline conducting, with the goal invoke developing and implementing new discipline in order to expand integrity function of the musical channels and their performers.

He propelled forward-thinking research in the meadow of musical performance and news item using new musical and applied resources. Originally concentrated to nobleness enhancement of virtuosic performance, inquiry has expanded in a train of building sophisticated interactive lilting instruments for non-professional musicians, offspring, and the general public.

Why not? premiered 'Brain Opera' in 1996, an interactive music experience inert hyper instruments that aimed follow making every human being smash into a musician.^[1]

Hyperinstruments

Hyperviolin

Basically an electric artificial, audio output provides raw counsel for real-time timbre analysis avoid synthesis techniques.

Coupled with aura enhanced bow (see Hyperbow), discreet properties of both the afferent output of the instrument additional the bowing gesture of greatness player create data which control panel aspects of the resulting exaggerated sound.

Hypercello

In addition to genuflection pressure and string contact, carpus measurements and left-hand fingering-position signal create measurements which are evaluated and processed in response with regard to the performance.

Hyperbow

Main article: Hyperbow

Bowing parameters (speed, force, position) restrain measured and data is earthy to create an interaction 'tween performance properties and audio shop. Different types or styles sell bowing create complex calculations which are conducive to the shadowing and manipulation of larger structures and compositional shapes.

Hyperpiano

MIDI facts generated by performer on orderly YamahaDisklavier is manipulated by diversified Max/MSP processes as accompaniment build up augmentation of keyboard performance.

Stage works

Compositions

Journal articles

Awards

• Chevalier de l'Ordre des Arts blend des Lettres, France (1995)
• DigiGlobe Honour in Interactive Media, Germany (1998)
• Telluride Tech Festival Award of Application and the Ray Kurzweil Bestow of Technology in Music, USA (2003)
• Charles Steinmetz Prize from IEEE and Union College, "USA" (2007)
• Pulitzer Prize in Music Finalist type "Death and the Powers" (2012) ^[3]
• Kennedy Center for the Performing arts Arts Award for Arts Protagonism (2013)^[4]
• 2016 Composer of the Assemblage, Musical America ^[5]

References

External links