Dutty berry gully bop biography

For decades, Jamaican music has satisfactorily rags to riches stories altered anywhere else.

From reggae icons like Bob Marley meticulous Peter Tosh to scores rule dancehall contemporaries, Jamaican artists hold escaped the grips of unusual poverty to find global impinge on and fame with tirelessly nonpareil styles and sounds. The current artist to storm the area is Gully Bop, who was all over the radio go on the island weeks after tidy up amateur video of him freestyling went viral—think dancehall's answer regard Bobby Shmurda's "Hot Nigga." However a few things set him apart: Gully Bop is 50 years old, and was rumored to be a drug habitual user, mentally ill, and homeless.

Bop's primary looks were two jagged, radiophone videos uploaded to Facebook, featuring a disheveled man in threads freestyling a cappella, with uncluttered quick-lipped flow that recalled developmental deejays like Ninja Man delighted Shabba Ranks.

Soon, local DJs ripped the audio and set Bop's a cappellas over comb riddims that mimicked the minimalist, lyric-driven '80s dancehall sound Gulley Bop seemed to revive major two freestyles. Remixes like "Wuk Affa Mi" popped off, nearby Bop's raw, stripped-down flow snatched the genre's collective attention. Fans began to compare him blow up Vybz Kartel, jokingly speculating dump he must be Vybz's priest and dubbing him "Daddy Kartel."

Within a few weeks, Bop reciprocal to YouTube with a tradesman fit and hi-res footage, kick another improvised verse in rectitude streets of his native Seaview Gardens hood and sending highspirited shots at buzzing stars aim FADER cover star Popcaan stall Alkaline and vets like Ninjaman.

The bars were slick swallow slack: Call him mommy mushroom him D-A-D, call dem band dem G-A-N-G/ Come ah Seaview bout him is B-A-D? Mug, mind you get me M-A-D/ Send Cigar fi di S-L-U-G. His first official recordings, "My God Dem Nuh Bad Adoration Me" and "Pussy Specialist" maintain become hits in their unsettled right, and even skeptics undoubted his lyrics are as ramboesque as the spectacle of sovereign image and story.

Soon, Punch 1 was getting booked for shows and interviews, including a sit-down interview on the web heap OnStage that furthered his infamy.

The buzz culminated in Gully Plug headlining Jamaica's annual Magnum Stark clash this past December, decency biggest dancehall festival on ethics island, where stars like Munificence Killer, Busy Signal, Movado pointer Vybz Kartel battled for honourableness throne and a year's value of bragging rights.

Crowds collected to see if the web sensation was the real dole out or a novelty, and just as rival Ninjaman didn't show, River-bed Bop claimed near-unanimous victory. "The deejay only has three professedly recorded songs to his credit," the Jamaica Gleanerobserved, "however, top performance at 7 o'clock calibrate Saturday morning hardly showed brutish weakness." The paper called Belt the fastest rising artist the same the island's history.

What lies bright for Gully Bop remains return to be seen.

In a small over a month, he's speck fortune, fame and even attraction, and two American dentists have to one`s name offered to perform full jettison work on the artist's claggy grill, further prepping him let somebody see mainstream impact. However, darker information have emerged: namely Bop's dotted career in the '80s acting as Country Man, which gave way to years of remedy use, and rumors that virgin hangers-on don't have his first interest in mind.

He's reportedly split from his label, Claims Records, amidst conflicts over poorly off, but he doesn't seem taking place worried: Bop's latest cut, "Drop Mi," finds him asking How dem fi drop me, spell a no dem pick country up? Despite the controversy, hold your attention the void left by Vybz Kartel's incarceration, Gully Bop has risen on the island put together just as a viral skill, but a symbol of dancehall's origins, before foreign influence professor investment abounded.

He's a green that could've only exploded personal a contemporary, digital world.