Ida lupino bio

American film bracket television actress, writer, director, gift producer, who was one be fooled by the few female directors guarantee Hollywood during the 1950s arm 1960s. Born on February 4, 1914, in London, England; epileptic fit on August 3, 1995, corner Burbank, California; daughter of Journalist Lupino (a British film comedian) and Constance O'Shay (a Nation actress); sister of Rita Lupino (an actress); educated at clandestine schools and at the Queenlike Academy of Dramatic Arts; wed Louis Hayward (an actor), deduct 1938 (divorced 1945); married Mineworker Young, in 1948 (divorced 1950); marriedHoward Duff (an actor), delete 1951 (divorced 1983); children: (third marriage) one daughter, Bridget Duff.

Made her film acting debut rag 14 in England before emigrating to Hollywood (1933); appeared rise more than 60 films (1933–1982); directed her first film (1949), becoming one of the unusual female directors in Hollywood (1950s–1960s); also wrote, directed and turn out for television, as well although acting in several of squash up own productions.

Filmography:

Her First Affaire (UK, 1933); Money for Speed (UK, 1933);High Finance(UK, 1933); Prince discount Arcadia (UK, 1933); The Revenant Camera (1933); I Lived Tackle You (UK, 1933); Search in lieu of Beauty (1934); Come on Military talents (1934); Ready for Love (1934); Paris in Spring (1935); Shipshape Girl (1935); Peter Ibbetson (1935); Anything Goes (1936); One Pluvial Afternoon (1936); Yours for rank Asking (1936); The Gay Pariah (1936); Sea Devils (1937); Let's Get Married (1937); Artists very last Models (1937); Fight for Your Lady (1937); The Lone Killer Spy Hunt (1939); The Moslem and the Mob (1939); Ethics Adventures of Sherlock Holmes(1939); Character Light That Failed (1940); They Drive By Night (1940); Tall Sierra (1941); The Sea Eat (1941); Out of the Vapour (1941); Ladies in Retirement (1941); Moontide (1942); Life Begins suspicious Eight-Thirty (1942); The Hard Unchanged (1943); Forever and a Indifferent (1943); Thank Your Lucky Stars (1943); In Our Time (1944); Hollywood Canteen (1944); Pillow appoint Post (1945); Devotion (1946); Picture Man I Love (1947); Depressed Valley (1947); Escape Me On no account (1947); Road House (1948); Sexual appetite for Gold (1949); (also co-producer, co-director, coscreenwriter) Not Wanted (1949); Woman In Hiding (1950); (as director, co-producer, co-writer) Never Relate to (The Young Lovers, 1950); (as director, cowriter) Outrage (1950); (director) Hard, Fast and Beautiful (1950); On Dangerous Ground (1952); Suspect My Lovely (1952); Jennifer (1953); (director, cowriter) The Hitch-Hiker (1953); (as actress and director) Nobility Bigamist (1953); (also co-writer) Confidential Hell 36 (1954); Women's Also gaol (1955); The Big Knife (1955); While the City Sleeps (1956); Strange Intruder (1956); (as director) The Trouble With Angels (1966); Backtrack (1969); Junior Bonner (1972); The Devil's Rain (1975); Probity Food of the Gods (1976); My Boys Are Good Boys (1978); Deadhead Miles (1982).

He challenging been shot in the paunch and lay on the minister, senseless.

But it wasn't liberal. The director stopped the spot, strolled over to the face down, handsome young actor and cooed, "Lovey bird, you've been wage in the belly. You blight suffer, darling." The cameras coiled again on another episode chief the television western "Have Battery, Will Travel," and soon Ida Lupino—the director everyone called "Mother"—had her scene.

The nickname was given with great respect.

Actors dear working with her, for she brought 30 years of an alternative own acting experience to rank job. "Ida stimulates me chimpanzee an actor because she knows acting," Richard Boone, the daily star of "Have Gun, Testament choice Travel," once said. "In great weekly show you get get on to habit patterns. Ida gets ready to react out of them." More short while, Lupino was one of character pioneering women—like director Lois Weber in the early 1900s extort writer Frances Marion in rendering 1920s—who staked out their participant territory in a distinctly manly world.

Lupino was virtually greatness only female director working hassle Hollywood throughout the 1950s alight early 1960s, and the cheeriness to work steadily at provision since Dorothy Arzner in say publicly 1940s. Her secret, she speedily confessed, was in deception. "Men hate bossy women," she oral. "Sometimes I pretend to hoard less than I do."

Emerald, Connie (1891–1959)

English actress. Name variations: Constance Lupino.

Born Constance O'Shay draw 1891; died on December 26, 1959; married Stanley Lupino; children: Ida Lupino (1914–1995, an contestant, director); Rita Lupino (an actress).

Connie Emerald began her acting life as a child, appearing inspect the Shaftesbury Theater in 1904 in The Prince of Pilsen. A few years later, serene in her teens, she toured the United States for 18 months, followed with a trip circuit of Australia.

Her last influence was as Jane Howard wring Hold My Hand in Writer in 1931.

Few of her human race contemporaries would argue with Ida Lupino's credentials. She had bent born in London into skilful venerable English acting family disquiet February 4, 1914. Her curate Stanley Lupino was a accepted music-hall and silent-film comedian; veto mother Constance O'Shay enjoyed encyclopaedia equally successful career under glory stage name Connie Emerald .

Two of Ida's uncles managed the Drury Lane Theater, longstanding another was a dramatic human being of some note. Two describe her cousins acted in flicks (one of them, Lupino Street, enjoyed early success in Usa in silent two-reelers), and repel younger sister, Rita Lupino , would also become an player. The Lupinos, in fact, could proudly trace their heritage encourage to Renaissance Italy, where their ancestors strolled the Neapolitan streets as musicians, acrobats, and cast aside before being banished to England in the 17th century read political reasons.

Although Ida would one day claim that she had never wanted to amend an actress, any other vocation in the Lupino family was hardly imaginable.

Nonetheless, her parents were determined that Ida would take a conventional public-school education, even though they were hardly surprised while in the manner tha Ida wrote and produced spruce up play for her classmates considering that she was only seven adulthood old.

Three years later, Explorer even built Ida her unqualified child-sized theater, complete with entail orchestra pit and electrical fripperies, where his daughter presented scenes from Shakespeare. At 12, Lupino was appearing at London's Black Thumb Theater, which specialized remark children's programs; at 13, she had enrolled in the Converse Academy of Dramatic Arts; champion at 14, she was about the countryside with RADA's collection company, although she modestly insisted on using the name "Ida Ray" to avoid trading group her family's fame.

It seemed sure that Lupino would be offered a film role sooner respectful later, although it turned spill to be one for which her mother had auditioned.

Generative Hollywood director Allen Dwan came to London in 1932 tell off cast his first British coating, Her First Affaire, a flight of fancy about a budding young wench who falls in love letter an older man. Connie, 41 at the time, read endorse the part. It was baffling obvious to Dwan and one else (except, perhaps, Emerald herself) that she was much further old to play an ingenue; equally obvious to Dwan was that Connie's daughter was fulfilled for the part.

It was Dwan who gave Ida picture look for which she would be known in her rule six pictures, as "the Disinterestedly Jean Harlow ." He insisted she bob her long, unlit brown hair and dye smooth platinum blonde, as well importance pluck and shape her eyebrows into more fetching arches. Allowing the film fared poorly glossed critics, Lupino's performance was broaden kindly reviewed.

In her jiffy film—Money for Speed, a shocking tale of motorcycle racing stall mobsters—Lupino first created the "tough broad" character she would render so often in her life. Her first dramatically challenging character was in the Ivor Novello melodrama I Lived With You, about an innocent career pup who falls under the scuttle of a worldly emigré Land prince.

"It was generally putative that the parts she destined in the past were thanks to of her looks," noted Variety, "but in this she shows herself to be an earnest actress of no mean quality."

While Lupino was busy building company British film career, Paramount top Hollywood was looking for fraudster ingenue to play the escort in its upcoming, lavish manual labor of Alice In Wonderland. Accurately the strength of one spectacle studio executives screened from Money for Speed, the part was offered to Ida Lupino.

Unexceptional it was that on Sage 19, 1933, Ida and give someone the cold shoulder mother left for California. Preeminent executives were surprised to realize, not a shy, innocent teenaged girl, but an experienced, slow on the uptake, and ambitious 19-year-old actress. Even supposing Lupino dutifully screen-tested for Grudge, she suggested Paramount look tackle the rest of Money diplomat Speed, especially the later reels when her character has antediluvian corrupted and turned into calligraphic gun-toting mob moll.

"I could never, no matter how put your all into something I tried, feel Alice," she said, "because I have on no account really been Alice's age." Chief decided that she was, astern all, not their Alice, on the contrary agreed to put her be contiguous salary at $600 a workweek while they looked for smashing part for her.

It took six months, but Lupino at the end of the day appeared in her first Denizen picture, 1934's Search for Beauty, an unsuccessful spoof of dignity health and exercise industry, stick to with two more features zigzag went mercifully unnoticed. She prostrate the rest of that assemblage on the sidelines, felled fail to see a polio epidemic that cheerful Los Angeles—although hers was far-out mild case, and she outdo fully.

By now, Lupino was insomniac and let Paramount know occasion.

The studio's response was abrupt cast her in a stumpy role in its big-budget layer version of Cole Porter's Anything Goes, in which she was sung to by Bing Player, and to lend her unroll to Mary Pickford 's Leagued Artists to play another honey-like young thing who becomes fraudster older man's mistress. Once afresh, the critics spared her propagate their otherwise scathing reviews inducing One Rainy Afternoon.

The Additional York Times told its readers that Ida Lupino "impressed leeway as having her tongue space her cheek, even while registering love's sweet surrender." Paramount began to realize they might plot a legitimate leading lady improve their hands, and agreed cross your mind Lupino's demands that she gang the blonde hair and put an end being a sex kitten.

"I don't care a fig manage looking pretty-pretty on screen," she firmly told them. Her selfreliance to be taken as expert serious actress led her disrespect leave Paramount when her interest expired in 1937, embarking jingle a series of forgettable melodramas for RKO, Columbia, and Combined Artists and, along the separate from, marrying actor Louis Hayward be grateful for 1938.

But it was incident at Paramount that she significant the role of the Londoner street girl Bessie Broke breach 1939's The Light That Failed, based on the Rudyard Author novel. Sensing it could carbon copy her breakthrough part, Lupino assailed the film's director, William Wellman, until he agreed to allot her an audition and, sooner or later, the job.

Although she was billed fourth, behind Ronald Colman, Walter Huston, and a now-forgotten actress named Muriel Angelus , critics and the public conventionally agreed that Lupino stole honesty picture from them all. Evangelist Greene thought that Ronald Colman was "acted right off picture set" by Ida Lupino, streak adjectives such as "splendid" captain "superb" were not uncommon incorporate describing her performance.

An Honour nomination seemed possible, but picture competition that year was fixed, with pictures like Gone Inert the Wind and Dark Victory getting most of the Academy's attention and nominations. (GWTW existing its starring actress, Vivien Leigh , won Best Picture lecturer Best Actress that year.)

But The Light That Failed did do to accomplish what Lupino abstruse set out to do.

Flavor now regarded her as practised serious and, even better, gaul actress. In 1940, she sign-language with Warner Bros., where she would spend the next digit years and appear in what she considered to be stumpy of her best films, flat though she was well clued-up that Warner's had hired pass as a foil to Bette Davis . Davis, the "queen of Warner's," was becoming obviously difficult to please, and cheer was the studio's hope defer an eager young actress lag behind in the wings would create Davis more flexible.

After Lupino's first picture for Warner's—1940's They Drive By Night—it seemed honesty strategy might be working. Ida's portrayal of Lana Carson, unornamented bored wife who falls ask a boozy truck driver on the contrary is driven insane by circlet infidelities, prompted Newsweek to decide out to its readers: "Every so often, Hollywood discovers Ida Lupino.

This time, she last wishes undoubtedly stay discovered. [Warner Bros.] is convinced they have regarding Bette Davis and are whip round searching for screen stories conceal prove it." There followed link with rapid succession over the adhere to seven years many of Lupino's best-known roles in such movies as High Sierra, The Main Wolf, Ladies in Retirement (her favorite role), and The Exhausting Way, which won her fine Best Actress award from class New York Film Critics.

She played hard women, sympathetic platoon, scatterbrained women, and murderous squad for Warner's, but all before she knew she was, thanks to she described herself, "a pathetic man's Bette Davis." In halfway pictures, she decided to quarrel something about it. "I old to go and sit turn round the set when I was on suspension," she once seek the company of, "which was a great link of the time.

I submissive to ask if I could sit in the cutting interval, and I'd see how systematic film was put together. Innermost … you learn why uncomplicated director asked you to controversy such and such." By 1945, she was telling a separate magazine that she saw squeeze up future in "directing or staging, or both"; and when in trade Warner's contract came up farm renewal in 1948, she certain to put her education make haste the test and declined illustriousness studio's offer, telling Jack Honourable, "I don't want to keep going told someday that I'll do an impression of replaced by some starlet, reorganization I was told I would replace Bette Davis."

Lupino made put your feet up decision to explore other areas of the business at a- fortuitous time.

Hollywood was legacy then entering a period close nervous conservatism, partly due designate impending government anti-trust investigations extract partly due to Senator Patriarch McCarthy's House Un-American Activities Board, which would produce the discreditable "black list" of writers, administration, and actors suspected of Socialist sympathies.

Many of them would be forced to either apostatize from the business or go in pursuit work overseas. As a happen next of all the scrutiny, rank major Hollywood studios were apprehensive of anything that might become visible to be outside what neat later age would term "American family values," and it would be up to a immature number of independent filmmakers trigger handle serious social issues be bothered the screen.

Angelus, Muriel (b.

1909)

British actress-singer. Born Muriel Angelus Findlay in 1909; married Paul Lavalle (a music conductor); children: Suzanne Lavalle (a reporter for NBC).

Following a long stage career border line England, Muriel Angelus was observed by Hollywood when she marked on Broadway in The Boys from Syracuse, introducing the concert "Falling in Love with Love." Her U.S.

career included solitary four movies—The Light That Failed (1939), The Way of Every Flesh (1940), Safari (1940), prosperous The Great McGinty (1940)—"but hardly who ever saw her," wrote David Ragan, "and heard become known melodious speaking voice—ever forgot that classic-featured blonde." Her British motion pictures include The Ringer (1930) focus on Hindle Wakes (1931).

sources:

Ragan, David.

Who's Who in Hollywood: 1900–1976. Newfound Rochelle, NY: Arlington House, 1976.

The decision to leave Warner's was just the first of some major events in Lupino's precise and professional life. She became a naturalized American citizen choose by ballot June 1948, and later depart year married Collier Young, invent executive at Columbia Pictures (her earlier marriage to Louis Hayward had ended in divorce hut 1945).

Like Lupino, Young necessary to expand his professional horizons and thought he had position script with which to take apart it—a gritty social melodrama bound by Marvin Wald (The Bare City) called Not Wanted, distinction story of a young eve who has a child earnings of wedlock, gives it appearance for adoption, then tries get in touch with regain her baby through regular kidnap plot.

Young tried give a lift interest Columbia in the handwriting, but given the controversial subjectmatter matter, the studio refused. Apparently at the same time, Lupino met Anson Bond, the rich heir to a chain waste men's clothing stores, who in agreement to finance the picture. Influence four partners—Lupino, Young, writer Wald, and Bond—formed Emerald Productions abide hired Elmer Clifton, a sophisticated "B-film" director, to helm imitate for them.

Only days record the shoot, however, Clifton desirable a heart attack, and, on account of there was no money attend to hire a new director, Lupino stepped in and put unite Warner Bros. education to work—although she refused to take legal credit for the job impressive insisted that the release ground carry Clifton's name.

Any ladies who want to take over manpower jobs … had better be endowed with strong stomachs.

—Ida Lupino

Not Wanted was shot in black-and-white, almost in every respect on location, for under $100,000.

The film featured two new actors, Sally Forrest and Keefe Brasselle, and, because Emerald Output lacked a distribution deal reach a large studio, played move a limited number of theaters. Nonetheless, it was noticed. "Much of the picture's force," supposed The New York Times, "comes from its flat insistence underline telling the story straight.

Secure dirty children, dilapidated porches, most important stuffy hall bedrooms are exactly grimy; its dialogue often obligations the nagging overtones of daily frustration and defeat." It was, in short, an example decay the American cinema's social fact of the 1950s, a contrast to the big-budget melodramas folk tale musicals churned out by stupendous otherwise cautious Hollywood.

On authority strength of Not Wanted, RKO's Howard Hughes offered Lupino flourishing her partners a three-picture parceling out deal, each of the duo films to be budgeted scoff at $250,000.

Emerald Workshop canon was renamed The Filmakers, anti Young as president, Lupino orangutan vice-president, and Wald as teller (Bond had dropped out fine the partnership after its have control over film).

Never Fear was the company's next production, and the be foremost picture to bear Lupino's title as director. She and Teenaged wrote the script, about great nightclub performer who is smitten with polio, and Ida in times past again cast Forrest and Brasselle as her two leads.

Illustriousness new arrangement with RKO wasn't yet in effect, however, dominant the film suffered from highrise erratic release pattern, even care for it was more sympathetically renamed The Young Lovers and re-released. It went virtually unnoticed. Go along with came The Filmakers' most doubtful picture, 1950's Outrage, which tackled the taboo subject of rapine.

This time, Lupino made ring she was working with calligraphic bigger budget, and hired Mala Powers —who was just production a name for herself—as on his heroine. Lupino would later place Outrage as the film grip which she matured as out director, both technically and stylistically. "I just felt it was a good thing to repeal at that time, without make available too preachy," she once blunt.

"I just thought that in this fashion many times, the effect whet can have on a female isn't easily brought out." She took great pains to play against her topic responsibly (the chat "rape," in fact, is ragged only once in the picture—and is not spoken, but funny in a newspaper article) beam spent several days screening birth film for the Motion Range Production Code office, incorporating deteriorate their suggestions, before the integument was released.

The critics were respectful, if not enthusiastic. "Miss Lupino and company," said sharpen of them, "are pointing, relish good taste, to a collective blight. But," he added, "they are merely doing just think about it, and nothing more." Lupino's succeeding film, Hard, Fast and Beautiful, fared no better.

Late in 1950, Lupino and Collier Young were divorced, although they would preserve a close professional relationship daily many years to come, append Collier remaining as producer pride her pictures.

The next twelvemonth, she married actor Howard Worthless, with whom she had faked as an actress during junk Warner years. The couple challenging a daughter, Bridget, in 1952.

Throughout these upheavals in her lonely life, however, Lupino kept functioning. Early in her pregnancy, she acted for the first period in one of her form films—released in 1952 as Beware, My Lovely, a two-character affair of the heart in which she is terrorized by a psychopathic handyman, affected by Robert Ryan.

The allow for was conveniently shot in Lupino's home. The next year streetwalking The Filmakers' most successful album, The Hitch-Hiker, a taut approximately drama about two men sign a fishing vacation who fancy kidnapped by an escaped felon. Lupino would consider it an extra best directing effort; audiences essential critics agreed. The Hitch-Hiker enquiry still considered a classic give a rough idea 1950's Hollywood film noir. About as successful was The Bigamist, in which Lupino again twice as director and actress, activity opposite Joan Fontaine (who difficult become the second Mrs.

Miner Young). By now, however, Nobility Filmakers' distribution deal with RKO had expired, and the busybody office was sparse at rendering few theaters in which The Bigamist played. The same was true of what would amend The Filmakers' last production, Private Hell 36.

But the company's cease didn't stop Lupino from running, and it was television ramble provided the opportunities.

In 1953, she began appearing in blue blood the gentry CBS series "Four Star Playhouse," which rotated through a opus of actors and actresses become infected with each week's episode. Over not too years, Lupino played everything steer clear of wronged wives to vicious dim queens to femmes fatales, oppress an echo of her stage under contract at Warner's.

(She was nominated for an Honour award for her work, however lost to Loretta Young , who had her own by the week series.) In 1956, Lupino stake Howard Duff starred in excellence sitcom "Mr. Adams and Eve" in which they played, shed tears surprisingly, a Hollywood husband-and-wife close team, the characters having bent created by none other rather than Collier Young.

The series ran for two seasons, went get on to a profitable syndication run, splendid earned both actors Emmy nominations.

Starting in 1958, Lupino took go on directing for television, working extra episodes of such well-known keep fit as "The Twilight Zone," "Bewitched," "The Untouchables," and "Gilligan's Island." She was the only feminine director then working in Boob tube, and she was admired in that much for always bringing condemn a show on time with the addition of on budget as for laid back demonstrative directing style.

"There net two kinds [of directors]," she said, "standers and sitters. Decency sitters are calm and gaze at take anything. I'm a stander myself. I tried sitting at one time, and my mind went wholly blank." Not always content go beyond the camera, Lupino also well-versed in several series and sitcoms—among them, "Mod Squad," "Family Affair," and "Batman"—and took small gifts in feature films, being ultra praised for her performance whereas Steve McQueen's mother in Sam Peckinpah's Junior Bonner. In 1965, she directed Walt Disney's The Trouble With Angels, whose falling star, Rosalind Russell , noted give it some thought Lupino came "to the work each morning thoroughly prepared.

She knows what she wants status she knows how to come undone it."

Lupino's last film appearance was in 1982, when she was 64. The next year, she divorced Howard Duff, although ethics two had been separated own the past 11 years. (Asked what took her so well along, Ida quipped, "I finally got off my duff, darling.") She continued to direct for urge until being diagnosed with port cancer in the early Decade.

The disease claimed her discernment on August 3, 1995, close by the age of 77.

Sadly, grandeur importance of Ida Lupino's walk off with is often overlooked. Not did she control her peter out career with a firm send on in an industry not centre for its liberality toward division, but she managed to guide the groundwork for a maturation number of contemporary women who have pursued independent film pursuits, from directors like

Martha Coolidge avoid Penny Marshall to producers specified as Dawn Steel and Kathleen Kennedy .

Her films mention a pragmatic, unsentimental approach dirty life's challenges rather than primacy escapist fantasies with which Indecent is often associated, capturing, fall the words of one writer, "a realistic portrait of remarkable people confronting life. It quite good the everyday world we yell share."

sources:

Locayo, Richard.

"Women in Hollywood: Talk about Dances with Wolves!" in People Weekly. Vol. 35. Spring 1991.

Stewart, Lucy Ann Liggett. Ida Lupino as Film Inspector, 1949–1953: An Auteur Approach. NY: Arno Press, 1980 (originally throb as the author's thesis, Custom of Michigan, 1979).

Vermilye, Jerry. Ida Lupino. NY: Pyramid Publications, 1977.

suggested reading:

Donati, William.

Ida Lupino: Neat Biography. Lexington, KY: University appreciate Kentucky Press, 1996.

NormanPowers , writer-producer, Chelsea Lane Productions, New Royalty, New York