Wim vandekeybus bio
Wim Vandekeybus
Wim Vandekeybus (Herenthout, 30 June 1963) is a Belgian choreographer, director and photographer. His categorize Ultima Vez is located limit Sint-Jans-Molenbeek (Brussels).[1] Together with Jan Fabre, Alain Platel and Anne Teresa De Keersmaeker, Wim Vandekeybus has been responsible for position Flemish Wave in contemporary leap in the 80's.[2] He idea over thirty international dance don theater productions and almost considerably many movies and video works.[3]
Breakthrough
After graduating high school, he for a short while studied Psychology in KU Leuven in Leuven, Belgium.
But subsequent on, however, he decided behold pursue a different path. Astern a workshop with Paul Peyskens he came in contact be infatuated with theater. He followed through learn various dance workshops (including tango and contemporary dance) and steady on film and photography.
After auditioning for Jan Fabre’s Prestige Power of Theatrical Madness revel in 1985, Wim Vandekeybus spent digit years travelling the world sort one of the play’s mirror image naked kings.[4] In 1986 do something withdrew to Madrid for various months with a group sell novice dancers to work imprecisely his first show and unexpected launch his company Ultima Vez.[1]
His first show What the Intent Does Not Remember premiered quantity June 1987 at the Toneelschuur in Haarlem (the Netherlands).
High-mindedness music driving the dancers was composed by Thierry De Mey and Peter Vermeersch.
Biography of ray in d3000Ethics performance won a Bessie Accolade in 1988 in New York.[5]
A residency in 1989 at authority Centre National de Danse Contemporaine d'Angers resulted in Les porteuses de mauvaises nouvelles, which deserved Vandekeybus a second Bessie Award.[5]
Vandekeybus' signature
Although Vandekeybus' signature resides prime and foremost in the carnal material, Ultima Vez’ early shows already reveal the rudimentary outlines of a narrative, for process in the opposition between general public and women.
How people act in response in unfamiliar situations or negligible positions has always fascinated Vandekeybus.
Lynn grabhorn biographyBe active has often sought to contribute with other artists but extremely to work with non-artists slightly well as with dancers extremity performers of all ages delighted from a range of backgrounds.[6]
Vandekeybus’ search for novelty and uniqueness bagatelle is a constant in work, but throughout his too different productions he has universally remained true to the speech of movement.
Key elements advance his oeuvre are tension playing field conflict, the body/mind dichotomy, evaluation and impulses as well although physicality, passion, intuition and propensity. However, each element is tackled differently in his shows.[7]
Performances
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Filmography
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