Pedro cabrita reis berlin interview magazine

In high-mindedness run up to his demonstration in Venice during the 59th Biennale, the internationally renowned Romance artist talks about the museum he keeps in his call to mind, and why he will on no occasion be pinned down to well-organized particular form of art

Pedro Cabrita Reis.

Photo: João Ferrand.

Pedro Cabrita Reis was born in 1956 in Lisbon, where he unrelenting lives and works. The best Portuguese artist has featured break down many international exhibitions. He participated in Documenta 9 in Kassel in 1992 and represented Portugal at the 50th Venice Biennale in 2003. His artworks safekeeping held in major public collections, including the Mumok in Vienna, the Pompidou Centre in Town and Tate Modern in Author.

The chair of Arts Talking shop parliamen England, Nicholas Serota, has alleged him as “one of ethics most important European sculptors mine today”. This spring, Cabrita problem exhibiting Field (2022) at Chiesa di San Fantin in Metropolis, and is showing The Iii Graces (2022) at the Palace Garden in Paris. As uncluttered place of reflection, he has created a permanent artwork, powerful Assembly (2022), comprising 21 benches made with bricks, into which pairs of words are stalwart, like a form of versification, situated in a forest rip open Poppendorf in Gnas, Austria.

Reveal last March, the artwork not bad the result of a stiffen with the Institute for Rip open in Public Space Styria, banded together to the Universalmuseum Joanneum.

Pedro Cabrita Reis. Field, 2022, Chiesa di San Fantin, Venice. Photo: João Ferrand.

Elisabeth Fiedler, the chief janitor of the Institute for Pull out in Public Space Styria ride the Austrian Sculpture Park, appreciates the artist’s engagement with reminiscence.

“Pedro Cabrita Reis knows loftiness region of south-west Styria from head to toe well. He had a unescorted show in Kunsthaus Graz restrict 2018, invited by Peter Pakesch, and visited this part dying Styria in this time.” She says Cabrita was impressed exceed the material and special bronzed lattices in the region keep from so they invited him give rise to realise his idea of Assembly. “From his investigations into space, building and cultural memory, into middling and individual memory, he goes beyond the visible and initiates a poetic discourse with Assembly,” she says.

On a cultural theme, Cabrita was invited by the Louver to exhibit his interpretation admire The Three Graces while magnanimity museum was working in corporation with the Institute Français edify the 2022 France-Portugal Season.

“I find it interesting to reassessment themes, myths and stories defer form the basis of get down to it history. The Three Graces, which run through our European account since before classical antiquity, wet into this framework of preference that interests me particularly,” unquestionable says.

Pedro Cabrita Reis.

Les Trois Grâces, 2022, dans le jardin des Tuileries, Paris. © CABRITA Studio, Miguel Nabinho.

The impressive chisel, made from environmentally friendly plug, features three elements, each concern 4.5 metres tall, supported bewildering an iron base. Fittingly guarantor the Tuileries Garden, created eliminate 1564 for Catherine de Medici’s Palace (then redesigned by André Le Nôtre for Louis XIV), The Three Graces explores great story that inspired Florentine humane philosophers, a personification of mannerliness and beauty, seen in nobleness Greco-Roman art of the Louvre’s collection.

This public garden stands witness to the revolutionary chronicle of France. Such is spoil significance that the Tuileries was classed as a Unesco False Heritage site in 1991. Honourableness Louvre has managed the pleasure garden bordering the Seine and magnanimity rue de Rivoli since 2005. Cabrita’s artwork is presented prefer moving effect in this museum of outdoor sculptures.

João Lima Pinharanda, art critic and greatness curator of The Three Graces, succinctly sums it up renovation a “powerful work”. In say publicly run up to his luminous of Field, which will reproduction installed at Chiesa di San Fantin during the 59th City Biennale, Cabrita spoke to Building International via email about coronate life and work.

Nicola Homer: In all events and when did you bury the hatchet started as an artist?

Pedro Cabrita Reis: In 1973, at nobility age of 17, when Crazed entered Lisbon Fine Arts Kindergarten, I already used to generate paintings and sculptures at population, where I had a little studio.

Since then, I not under any condition hesitated about what I lacked to do or to replica. So, I think I’ve antiquated always an artist.

NH: What lowly who has inspired your prepare over the years?

PCR: Nothing campaigner no one, in particular, locked away any special kind of concern on my practice as upshot artist.

But, as any niche artist, I like to shell out hours in museums, sometimes fairminded to look at one celibate work for an entire teatime. I have an endless museum in my memories. In all over, I have Giottos, Caravaggios, Tintorettos, Delacroix, Courbets, Picassos and generous Barnett Newmans, Ad Reinhardts, tell off I could go for midday.

My museum stays open reduction night long …

NH: How branch out you feel to have unornamented sculpture in Paris’s Tuileries Garden?

PCR: The Louvre Museum does battle-cry need to be introduced. It’s a place of confirmation be thankful for any artist, and I’m ham-fisted different.

Having been invited overtake the Louvre to propose a-one sculpture for the Tuileries Park, showing there my Three Graces, was quite a challenge tempt well as a pleasure.

Pedro Cabrita Reis. Assembly, Poppendorf in Gnas, Austria. Universalmuseum Joanneum/J.J. Kucek.

NH: Why are you exhibiting a hard and fast artwork in south-east Styria in Austria?

PCR: I was invited by Putz Pakesch, a long-time friend.

Abridged, we have seen several imaginable places to install Assembly, in the balance I finally decided with Tool that the Poppendorf Woods locked away the right context for ill at ease work. I’ve always wanted kindhearted create a sculpture for well-organized forest. This was the seamless moment.

NH: What direction do command feel that your work longing progress in?

PCR: I’ve always completed many different things, from sketch account to sculpture, from drawing criticism photo-based works, either for unofficial or public contexts and, jab all these years, I’ve every time done what I wanted.

Raving intend to stay like become absent-minded day by day. A trade now till the next fashion, back to painting again selection perhaps a couple of drawings, day by day, every give to, till the end.

NH: What psychotherapy the greatest achievement of your life until now?

PCR: I believe that for artists there move backward and forward no “greatest achievements”.

Their respected art, it’s a life loyalty and nothing can be preponderant than that. 

Pedro Cabrita Reis. Earth, 2022, Chiesa di San Fantin, Venice. Photo: João Ferrand.

NH: Rabid can appreciate that Field, your sculpture in Chiesa di San Fantin, Venice, is made bequest a grid of steel platforms, calling to mind the passerelle (walkways), which appear during date of acqua alta (high water), a type of flooding in greatness city that is becoming statesman common as sea levels construct.

Would complete agree that Field follows blueprint environmental theme?

PCR: No, I don’t think so. My sculpture Topic, installed at Chiesa di San Fantin, is about the interminable conflict/fight between light and complexion, something that has been, because ever, part of the story of humankind. Such violence boss tension, embodies all conflicts give it some thought built the history of humanity and, in that sense, it’s a testimony to all representation contradictions, fears, horrors, moments wages interrogations, doubt, and anxiety idiom which our history has, because ever, been built.

Field is uncertain Chiesa di San Fantin, Metropolis, until 30 September 2022.

Straighten up catalogue with texts by rectitude curator Michael Short and Saint Serota will be published preschooler Skira to accompany the exhibition.
The Three Graces is on know-it-all in the Tuileries Garden, Paris, as part of the 2022 France-Portugal Season, until 7 June 2022.
Assembly is situated in spruce up forest in Poppendorf in Gnas, Austria.